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| Pilgrimage Home (Ladakh)- © Sharon Johnson-Tennant-All Rights Reserved |
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| Kitchen , Stok Monastery-© Sharon Johnson-Tennant-All Rights Reserved |
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| Morocco-Photo © Sharon Johnson-Tennant-All Rights Reserved |
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| Morocco- Photos © Sharon Johnson-Tennant-All Rights Reserved |
Here are a number of photographs by Sharon Johnson-Tennant, a multi-faceted award winning photographer in Los Angeles and a participant in my 2010 Tribes of Rajasthan & Gujarat Photo~Expedition.di·aph·a·nous/dīˈafənəs/Adjective: Light, delicate, and translucent.
These photographs are part of a larger number she sent me in connection with her forthcoming exhibition named DIFFUSION; a compilation of 9 years of Sharon's work from travel all over the world. She describes the photographs in this exhibition as "images that seem to have stopped in time, things in plain sight but not always seen" such as the two top ones made in Ladakh, a remote area of India. Apart from India, her travels have taken her to Malaysia, Burma, Borneo, Papua New Guinea, Thailand and the Philippines.
The exhibition's opening night is March 3, 2012 (7-10 pm) at the Robert Berman Gallery, in Santa Monica, Los Angeles. The exhibition will continue until March 31st.
As for the lower photographs, they're part of Sharon's larger body of work (still in progress) which she calls Magical Mystery Tour. Those were recently made in Morocco at twilight. That time of day in terms of light, coupled with the natural reticence of Moroccans to being photographed pushed Sharon to alter her techniques to meet these challenges.
On my blog, I frequently describe photographs as powerful, emotive, and/or well composed. For Sharon's new photographs, I happily add diaphanous and ethereal to all these adjectives.
For further examples of Sharon's talents, visit her new website...you'll see the versatility of her work.
As for the lower photographs, they're part of Sharon's larger body of work (still in progress) which she calls Magical Mystery Tour. Those were recently made in Morocco at twilight. That time of day in terms of light, coupled with the natural reticence of Moroccans to being photographed pushed Sharon to alter her techniques to meet these challenges.
On my blog, I frequently describe photographs as powerful, emotive, and/or well composed. For Sharon's new photographs, I happily add diaphanous and ethereal to all these adjectives.
For further examples of Sharon's talents, visit her new website...you'll see the versatility of her work.
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