Amy Helene Johansson: A Lost Revolution?

"My heart is beating for this project and it would be wonderful if as many people as possible see it and get enlightened about the situation. " -Amy Helene Johansson

Prior to the boom in the garment industry, almost no women in Bangladesh worked outside of their family or marital homes, and had few opportunities to earn money. However today, the female garment workers are the backbone of the Bangladeshi economy in an industry that generates billions of dollars each year. It should be a women’s revolution, but is it?

While academics and economists agree to some extent that Bangladeshi women are in the midst of a revolution, they are still not empowered financially or socially. And are not strong enough to demand a fair remuneration. Multinational companies such as Nike, Levi Strauss and H&M are generally unaware of the life situation of sewing machine operators; their housing conditions, family structures, and food provisions.

Amy Helene Johansson is a photojournalist who studied film and theatre theory before earning a BA in fashion design. However, after a decade of working for H&M as a fashion designer, she discovered photography. Her work has been published in leading broadsheets and magazines in the UK and Sweden, including the Sunday Times UK, Dagens Nyheter and Sydsvenska Dagbladet. Her work has been awarded Asian Geographic Magazine ‘Faces of Asia Award’, the Foundry Emerging Photojournalist Award and the Swedish Picture Of the Year ‘Multimedia Category’ and been shortlisted for ELLE commission award and a National Geographic award.

She's also a Foundry Photojournalism Workshop (Manali, India and Istanbul) alum. A Lost Revolution was produced in collaboration with the Bombay Flying Club. 

Miguel Candela: Living In Darkness

Photo © Miguel Candela-All Rights Reserved

“If I could go to another place, marry someone who would know nothing about my past, maybe I could escape this shame that I feel”

In Bangladesh, on the banks of the Padma River, is Faridpur. It is here that the largest brothels in the country thrive. The sex workers have usually been kidnapped by gangs, sold by their families or step families or tricked with promises of good jobs. It's estimated that there are 100,000 women selling sex in Bangladesh despite Muslim strictures on sex outside marriage.

Brothels: Living In Darkness is a photo essay by Miguel Candela, a Spanish documentary photographer currently based in Hong Kong.

One of the most touching captions underneath an equally compelling image of a sad young woman is this "Society has forced them to live in darkness while men love them and hate them in equal measure, demanding their services while trying to get rid of them permanently."

Miguel Candela is interested in documenting the human drama of life, and to that end has traveled extensively to various countries in order to photo-document the people and their community way of life in Mali, Kenya, the Philippines, Bangladesh and across China, and in his current base of operations in Hong Kong.

His photographs have been published in CNN, CNNGo, South China Morning Post (SCMP), Grupo Vocento, Piel de Foto, La Voz de Galicia among others.

Lisa Wiltse: Daulatdia Brothel

Photo © Lisa Wiltse-All Rights Reserved

In Bangladesh, on the banks of the Padma River, is the village of Dauladtia. It is here that the largest brothel in the country thrives , with over 2000 servicing 3000 men every day. The sex workers have usually been kidnapped by gangs, sold by their families or step families or tricked with promises of good jobs. It's estimated that there are 100,000 women selling sex in Bangladesh.

It is here that Lisa Wiltse photographed her photo essay Daulatdia Brothel, and documented the atrociaous practice of procuring a drug called Oredexon, a “cow-fattening” steroid to underage girls, in order to make them plumper and look older, despite the dangerous side effects on their health.

Lisa Wiltse is an American photographer who moved to Sydney, Australia where she worked as a staff photographer for the Sydney Morning Herald until 2008, when she moved to La Paz, Bolivia to pursue her freelance career.

Her photography has been recognized by Photo District News, the National Press Photographers Association, Sony awards, and is the recipient of The Walkley award in Australia, among others. Her work been published in The Sydney Morning Herald,The FADER, Time Magazine, Internazionale, Private photo review, The Sun magazine and The Australian Financial Review.

Alfonso Moral: Machine Man: 69th POYi

"Allah has said that a woman should behind 5 fences"

Alfonso Moral and Roser Corella were awarded POYi's First Place Award for Long Form Multimedia Story with their Machine Man, a documentary dealing with modernity and global development, with men (and women) as machines.

In Dhaka, Bangladesh, men and women undertake hard physical tasks with machine precision and routine: they load their bodies with heavy materials; they manufacture bricks; they separate plastics and they drive rickshaws. They are the machine men, a mass of millions of people who become the driving force for the city.

There's a lot of powerful work by a variety of photographers on POYi 69th which has announced its winners. However, I decided to feature the work of Alfonso Moral (photographer ) and Roser Corella (editor) on this blog, not only because Machine Man is a very well done documentary, but because they're freelance.

I might take some flak for this, but the photographers and photojournalists backed by powerful newspapers, magazines and other media such as The New York Times, The Los Angeles Times, Newsweek and the National Geographic getting awards have a considerable edge over others who don't enjoy this backing. It's therefore refreshing to see that POYi chose freelancers for this category.

Alfonso Moral is a Spanish photographer, who worked for a while with El Norte del Castiliano newspaper. He later moved to Syria and began focusing on the Middle East from where he covered Lebanon, Palestine and Iraq in addition to elections in Afganisthan and the Hezbollah movement in Southern Lebanon. Apart from winning a photojournalism grant for his work on the Palestinian refugees, his work was featured in El Pais and Newsweek amongst other publications. He is currently based in Barcelona.

Jana Asenbrennerova: Shipbreakers of Chittagong

Photo © Jana Asenbrennerova-All Rights Reserved

“The workers look like little ants next to these gigantic ships, and they are just as vulnerable.”

Jana Asenbrennerova's work on the ship breakers in Chittagong was recently featured on the CNN Photo blog....however her photographs are better viewed on her own website.

The CNN essay also informs us that about 80% of the world's out-of-service ships are recycled in Bangladesh, India and Pakistan, according to NGO Shipbreaking Platform.  The largest ship breaking yards at Gadani in Pakistan, Alang in India, Chittagong in Bangladesh and Aliağa in Turkey.

The majority of the ship breaking workers come from the poverty stricken northern region of Bangladesh where there are limited employment opportunities, with the larger proportion of the labor (40.75%) are between the ages of 18-22 years old, and children (under the age of 18) represented about 11% of the workforce.

Jana Asenbrennerova visited Chittagong’s ship-breaking yards in summer 2010 to document what life was like for the people who work there. The ship breaking yards are notoriously difficult to access, but Jana was helped by a local photojournalist.

Jana is an award-winning Czech photojournalist based in the United States. Her work focuses on Southeast Asia. After studying directing and screenwriting at Film Academy, she worked in Prague’s film and theater industry for several years, then studied photography at City College of San Francisco, and photojournalism at San Francisco State University.

David Lazar: Myanmar Redux

Photo © David Lazar-All Rights Reserved

I featured David Lazar's work on The Travel Photographer blog a few months, and having learned that he had uploaded two new galleries unto his website,  I was eager to take a look. I was not disappointed.

The first gallery is titled Return To Myanmar, and features about 45 portraits and set up photographs made in this beautiful country. These are heavily processed and over saturated, perhaps following the style of many South East Asian photographers who like such effects.

The other gallery is titled Bangladesh In Portrait, and has just under 50 facial portraits and environmental portraits made of Bangladeshis. A far different photographic approach than that of the so-called Bangladeshi school...which is usually black & white, edgy, gritty and super contrasty.

David Lazar is a musician and photographer from Brisbane, and who loves traveling and capturing moments of life through photography. He has won a number of awards and recognitions for his photography which include Shutterbug Awards 2011, Kumuka Travel Photo Contest 2010, Lonely Planet Photo Competition 2010, Asian Geographic - Poetry in Motion Competition 2010, Intrepid Photography Competition 2009...and many more.

Pierre Claquin's Photo Workshop In Bangladesh

Photo © Pierre Claquin-All Rights Reserved

Pierre Claquin's photo workshop is a unique opportunity for 7 photographers to visit and document various and different aspects of Bangladesh during the period of September 06 - September 19, 2011.

In the itinerary, photographers will explore the the mangrove forests and wildlife of the Sunderbans (a UNESCO heritage site), the busy life on the rivers, an old Hindu temple inside the deep forest of the Sunderbans, the Buddhist vestiges of Mainamati, the tribal life in Sreemongol and in the Chittagong Hill Tracts, the tea gardens, and the urban chaos of Dhaka and Chittagong. The occasional monsoon rains will provide a unique lightning and effects.

Pierre is no stranger (or a "parachuting" photographer) to Bangladesh. He's a photographer,  a medical epidemiologist and a public health doctor who worked and lived for more than 16 years in Bangladesh between 1972 and 2011. He devoted his professional life to Africa and South, South East and Central Asia. He had several photo exhibitions: "Borrowed faces" (Dhaka- October 2000; Chittagong Feb 2001); "The Eastern Gallery of the Berlin Wall" (Dhaka April 2001); "1972-2002: The changing faces of Shariakandi" (Dhaka and Shariakandi - April 2002); "Surviving Dreams: the struggling circus of Bangladesh" (Dhaka Chobi Mela II - November 2002). He also published a book of 120 black and white photographs on the circuses of Bangladesh.

I have immense respect for Pierre's abilities, and I am very glad to have met and worked with him at the Foundry Photojournalism Workshop in Istanbul last summer.

All details for the Bangladesh Photographic Workshop are here.