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I've featured the extraordinary work of Matthieu Paley a number of times on The Travel Photographer blog already, and while my favorite is still his work on a Sufi festival honoring Hazrat Lal Shahbaz Qalandar in Pakistan, it's also this recent ongoing film project "Prisoners of the Himalaya" that is equally remarkable. It's a documentary film aimed at capturing the life of the last Kyrgyz nomads of Afghanistan.
Matthieu returned to the Afghanistan's Pamir mountains to cooperate in the production of his first movie, along with Louis Meunier (as Director of the project) and others.
When you finish viewing the above trailer, drop by the movie's main website The Roof of the World which gives you more background to the project, and lists the team members that were involved in its making. Also spend time exploring Matthieu's website, and his unique galleries. You certainly will not regret it.
Currently based in Istanbul, Matthieu photographs explore themes of remoteness and isolation in geopolitically sensitive areas, and his work has appeared in Géo, National Geographic Adventure, Newsweek, Time, Outside, Discovery, Vanity Fair and Figaro among others. He has collaborated on numerous books. Since 1999, he travels extensively throughout the mountainous regions of Pakistan, Afghanistan, Northern India and Central Asia.
His photographs have been exhibited in galleries in New York, Hong Kong and Munich, and his multimedia presentations were projected at festival such as the Perpignan Photojournalism festival, the Banff Mountain Festival, and MountainFilm in Colorado. He has lectured at the Royal Geographical Society and the Asia Society in Hong Kong, at the Grand Bivouac Festival in France as well as at the Vancouver Mountain Festival.
Ludruk is a theatrical genres of East Java in Indonesia. It's a form of traditional performance presented by a troupe of actors on a stage, re-telling the life stories of everyday people and their struggles. Most of the characters were performed by male actors who take the roles of women, but more recently, the sketches and farces feature mostly contemporary domestic stories, and have become commercial entertainment popular with urban and rural working-class audiences.
Diego Verges (featured many times of The Travel photographer blog and one of its Favorite 2011 Photographers) has produced a comprehensive photo essay on the Ludruk, with black & white (and color) facial portraits, and as well as environmental portraits and scenes of these performers.
Ludruk is a must-see for my readers as it merges portraiture, documentary and travel-ethnography photography, and also visually documents an art for that could well vanish in the years to come.
Note: I encountered a similar kind of performance in Bali where it's called Arja. This type of performance enacts old stories in a farcical manner and uses dialogue understood only by Balinese-speaking audiences.
Blurb has just announced Blurb Mobile for iPhone, which is a way to create stories by easily capturing and sequencing photos and videos into short visual stories that can be instantly shared and viewed by all.
The app is available on the App Store. It's basic version is free, while a version with more bells and whistles is for $1.99. It's also compatible with iPads, so with iPad2, it'll be possible to take photographs (albeit at low resolution) directly and create stories on the fly. Or use photos saved in one's photo library. It'll record ambient sound and video clips as well.
Is it for photojournalists and the like...probably not, but for people who wish to quickly create short visual stories.
I'm sure that this may be of use to photographers who like the Hipstamatic and Instagram apps for their iPhones.
I've now completed a sort of trilogy...three new photo galleries of stills from my just completed In Search of the Sufis of Gujarat Photo Expedition™.
The first of the three galleries is of the pilgrims that flock daily in their hundreds to the shrine of Hazra Mira Datar, a renowned Sufi saint in Gujarat, hoping to get rid of evil spirits, other health issues and personal problems. A black & white audio slideshow can also be seen here.
I recommend reading the journal of my experience at the Mira Datar shrine can be read here for a fuller understanding of this 600 year-old phenomenon, which is not restricted to this particular Sufi saint.
The second gallery is of the Jains pilgrims who visit the temples of Palitana; one of the holiest sites for the Jain community. Climbing the 3800 steps to the top of the hill for the main temple is an incredibly arduous task, and the Jain nuns do it continuously for three days while observing a total (food and water) fast. An audio slideshow can also be seen here.
Th third gallery is of various portraits and scenes of Sufi communities encountered during the photo~expedition, which started and ended in Ahmedabad, Gujarat.
I hope readers of The Travel Photographer blog will enjoy them.
Planet magazine has announced the winners of its Global Travel Contest (General Category), and in which I was pleased to see that Terri Gold was named as one of the runners-up with its above infra-red images made during my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place in January 2010.
Terri Gold's distinctive infrared images can be seen on her website Terri Gold World Imagery.
I was also pleased to see that Claudia Wiens was recognized with her portrait of a Syrian woman in the contest's Portrait Category. Claudia is a terrific photojournalist based in Istanbul and Cairo, and an alum of the Foundry Photojournalism Workshop in Mexico City.
Another religious festival comes to The Travel Photographer from Anindya Chakraborty, a self taught photographer from Kolkata. A software engineer in "real" life, Anindya started photography in 2006. He's gravitating towards documentary photography, and on his moving the United States, did a series on Bodie Ghost Town, New Orleans and finally on broken American Dreams. Some of his work was published in Picsean Travel Magazine.
These can be seen on his SmugMug website.
However, I recommend you view Anindya's Charak Puja on The Invisible Photographer website where the photo essay is presented as a flash slideshow.
Charak puja is a traditional festival celebrated mainly in the rural areas of Bengal. It's unique amongst Bengali festivals because it's dedicated strictly to penance. The men and women, seeking to undertake the ritual, have to go through a month-long day fast, subsist only on fruits & perform daily worship.
On the day of the Charak, bamboo poles are erected with height ranging from 10 to 15 feet. The devotees step up to the stages, and are impaled with hooks which are attached to the poles. The devotees are then suspended from these poles.
Reminiscent of the Thaipusam festival, the Hindu devotees of the Charak festival seek penance and self-mortification to achieve salvation.
I 'm starting a new category on The Travel Photographer blog called The Leica File which will have posts/photographs of my efforts with the M9.
When the weather is good during the weekends, Columbus Park in NYC's Chinatown sees large numbers of Chinese playing xiangqi, a two-player board game similar to Western chess, and one of the most popular board games in China. Xiangqi is believed to be descended from the Indian chess game of chaturanga, and may have been played as early as the third century BC.
The majority of Chinatown's inhabitants are from the Guangdong, Toisan and Fujian provinces in China, as well as from Hong Kong. They flock to Columbus Park for socializing, play cards and chess, listen to Chinese street opera and even air their caged birds.
This fellow was so intent on his game that I could've aimed my lens an inch from his face and he wouldn't have noticed. Click the picture to enlarge.
I must say that the recent Thumbs Up EP 1 purchase has greatly improved my comfort level in handling the M9...it now fits much better, and I have better control. The only inconvenience is that with the EP1 on, the M9 is more difficult to pull out of my jacket pocket...but it shouldn't be in there in the first place, should it?
Paul Patrick is a Norwegian freelance documentary photographer who started traveling the world alone at very early age. His quest was stories to tell with his camera. Since starting his travels, he has produced stories on Algeria, Burkina Faso, China, Europe, Ghana, India, Nepal and Morocco.
What drew my attention to his website was that one of his galleries is of Sabarimala pilgrimage in Kerala which Paul describes as one of the largest religious festivals in the world, with an estimated 50-60 million pilgrims visiting it every year. It's virtually unknown outside of India.
The Sabarimala pilgrimage is frequently described by the Indian press as the 'Mecca of Hindus'. The temple is dedicated to Ayyappa, who is believed to be Shiva’s third son and brother of Murugan and Ganesha. It is situated on the mountain ranges of the Western Ghats. The temple is accessible only by foot, and the millions of pilgrims to Sabarimala vow to abstain from sex, and other acts, for 41 days before embarking on the pilgrimage. No women over the age of 60 is allowed on this pilgrimage, nor are girls younger than 6. The routes taken by the pilgrims can range in distance between 8 kilometers (the shortest one) and another of more than 60 km across three hills.
Note: I am in the process of scheduling a photo~expedition in March 2012 to document a couple of religious festivals in Kerala (but not Sabarimala though). Details will be forthcoming shortly.
Note: Sreekanth Sivaswamy, a photographer and reader of this blog emailed me a correction. It's women between certain ages (some websites claim it's between 6 and 60, while others it's between 10 and 50) who are not allowed to enter the temple, since the legend attributed to Ayyappa prohibits the entry of the women in the menstrual age group.
Holy Week in Christianity is the last week of Lent and the week before Easter, and provides remarkable opportunities to photographers to capture the various religious festivals, rituals and pageants that are scheduled, particularly in Catholic communities, during the period. The week includes the religious holidays of Palm Sunday, Maundy Thursday and Good Friday.
Some of the featured rituals in Spain, Portugal and Italy include the processions of hooded flagellants during Lent, as well as self-crucifixion in the Philippines considered as a form of devout worship.
In the top photograph, a masked flagellant is comforted by a colleague at the end of his penance during the 'Los Picaos' brotherhood Good Friday procession in San Vicente de la Sonsierra, northern Spain. The second photograph is of a penitent dragging his chains at the same venue. Both photographs are by Alvaro Barrientos, and I think they're some of the best amongst featured by the various photo blogs.
Flagellation is not restricted to Catholicism, but is also practiced in other religious traditions, notably in Shi'a Islam during the Day of Ashura. Much older religious tradtions, like the cult of Isis in Egypt and the Dionysian cult of Greece, practiced their own forms of flagellation.
Apart from a Holy Week spent in Guatemala in 2002 photographing the processions, I haven't photographed Catholic religious traditions (except for a short photo shoot at a small festival in Oaxaca), and I ought to plan for 2012.
Of course, it depends if the 21st of May doesn't turn out to be the end of the world as a demented US preacher predicts....then I (and the majority of us) would've missed the chance.
Much praise has been deservedly written and said about Vivian Maier, and of her photography. The story of this nanny and her photography has impressed the world, and now she (through the work of John Maloof) has a dedicated website.
Maier’s work was discovered in 2007 by John Maloof at a local thrift auction house on Chicago’s Northwest Side, while researching material for a book on that area of Chicago.
Whilst I knew that Maier's work was principally in street photography, I found out that she undertook trips on her own to Canada in 1951 and 1955, in 1957 to South America, in 1959 to Europe, the Middle East, and Asia, in 1960 to Florida, and in 1965 to the Caribbean Islands. Amazingly, she traveled to India (as evidenced by her portraits in Cochin) and to Yemen in 1959.
The website gathers many galleries of her work; street photographs of New York and Chicago, her travel portfolio (Yemen, India, Canada, France, etc).
I have always maintained that there are no amateur photographers....the work of Vivian Maier validates my point of view.
Chhandak Pradhan is an editorial photographer and freelance journalist based in Kolkata, who started his career as a reporter at 22. He currently specialises in interviews, editorial, multimedia, documentary, corporate and fashion photography. He is part of Babel Images, an international collective of documentary photographers and is represented by Barcroft Media (UK) and OTN Photos (Italy).
He was selected as a participant in the Angkor Photo Workshop 2009, and assisted Ed Kashi, Jonathan Torgovnik and Cheryl Newman during their workshops in Kolkata. He is also assisting Steve Raymer, former National Geographic magazine staff photographer and Associate Professor of journalism at Indiana University.
His various galleries are mostly editorial, and I feature his lovely The God Makers images documenting the clay artisans of Kumartuli in Kolkata who "bring gods to life" for the Durga puja. I also strongly recommend viewing, among others, his tender Living In Memory, a short photo essay on his grandparents.
It's a great pleasure that Chhandak will join and assist in my Kolkata's Cult of Durga Photo~Expedition & Workshop™.
I've been slowly getting used to my Leica M9 over the past weeks and I, coming from a line of Canon DSLRs, found its handling to be rather challenging. The Leica M9 is sleek and aesthetically beautiful but it didn't rest in my hand as well as I would've liked. I had to really grasp it well because there's nothing on its body that I could get a grip on...nothing like the hand contour in the Canons for instance.
Poking around the internet, I found that the Leica M9 hand grip was sold at B&H for $250, and poking around even further landed me on Steve Huff's Leica blog and his praise for the ThumbsUp which is a thumbs grip manufactured by Tim Isaac of match Technical Services.
There are a number of styles available for the ThumbsUp thumb grip, and I chose the Thumbs Up EP-1. Receiving a quick response to my inquiry from Tim that he was out of stock but who provided me a list of stockists, I chose PopFlash.Photo in California, and I ordered it on Monday for the grand total of $130.88.
It arrived today! Very well crafted, the Thumbs Up EP-1 fitted perfectly in the Leica's hotshoe, and enormously improved the camera's handling. I feel the M9 is more securely grasped in my hand with it. I look forward to leave it on the M9 as long as I use it.
I have no relationship with either match Technical Services or PopFlash.Photo. I like the EP-1 and its quality, and both companies delivered excellent service.
Blurb has announced Photography Book Now 2011, an international juried competition which promises it'll celebrate the most creative, most innovative, and finest self-published photography books – and the people behind them, and recommends that all Blurb users submit their best photography books for a chance to win $25,000 and worldwide recognition.
I was tempted to enter my two photography books Bali: Island of Gods and Darshan, which I spent so much energy on, but frankly the submission fee of $35 per book put me off.
The sales of both books have surpassed my wildest (but modest in monetary terms) volume expectations...and I'm happy with the degree of recognition these still constantly receive.
The submission fee is probably to cover administrative costs etc, but Blurb is earning quite a nice margin and fees from its publishing business, and while I don't begrudge it its business model, I also think that charging a fee to enter such a competition is cheeky. Yes, I know...no free lunches anymore.
That's my take on it.
Matthieu Paley: Prisoners of the Himalaya
I've featured the extraordinary work of Matthieu Paley a number of times on The Travel Photographer blog already, and while my favorite is still his work on a Sufi festival honoring Hazrat Lal Shahbaz Qalandar in Pakistan, it's also this recent ongoing film project "Prisoners of the Himalaya" that is equally remarkable. It's a documentary film aimed at capturing the life of the last Kyrgyz nomads of Afghanistan.
Matthieu returned to the Afghanistan's Pamir mountains to cooperate in the production of his first movie, along with Louis Meunier (as Director of the project) and others.
When you finish viewing the above trailer, drop by the movie's main website The Roof of the World which gives you more background to the project, and lists the team members that were involved in its making. Also spend time exploring Matthieu's website, and his unique galleries. You certainly will not regret it.
Currently based in Istanbul, Matthieu photographs explore themes of remoteness and isolation in geopolitically sensitive areas, and his work has appeared in Géo, National Geographic Adventure, Newsweek, Time, Outside, Discovery, Vanity Fair and Figaro among others. He has collaborated on numerous books. Since 1999, he travels extensively throughout the mountainous regions of Pakistan, Afghanistan, Northern India and Central Asia.
His photographs have been exhibited in galleries in New York, Hong Kong and Munich, and his multimedia presentations were projected at festival such as the Perpignan Photojournalism festival, the Banff Mountain Festival, and MountainFilm in Colorado. He has lectured at the Royal Geographical Society and the Asia Society in Hong Kong, at the Grand Bivouac Festival in France as well as at the Vancouver Mountain Festival.
Diego Verges: Ludruk
 |
| Photo © Diego Verges-All Rights Reserved |
Diego Verges (featured many times of The Travel photographer blog and one of its Favorite 2011 Photographers) has produced a comprehensive photo essay on the Ludruk, with black & white (and color) facial portraits, and as well as environmental portraits and scenes of these performers.
Ludruk is a must-see for my readers as it merges portraiture, documentary and travel-ethnography photography, and also visually documents an art for that could well vanish in the years to come.
Note: I encountered a similar kind of performance in Bali where it's called Arja. This type of performance enacts old stories in a farcical manner and uses dialogue understood only by Balinese-speaking audiences.
Blurb Goes Mobile...
Blurb has just announced Blurb Mobile for iPhone, which is a way to create stories by easily capturing and sequencing photos and videos into short visual stories that can be instantly shared and viewed by all.
The app is available on the App Store. It's basic version is free, while a version with more bells and whistles is for $1.99. It's also compatible with iPads, so with iPad2, it'll be possible to take photographs (albeit at low resolution) directly and create stories on the fly. Or use photos saved in one's photo library. It'll record ambient sound and video clips as well.
Is it for photojournalists and the like...probably not, but for people who wish to quickly create short visual stories.
I'm sure that this may be of use to photographers who like the Hipstamatic and Instagram apps for their iPhones.
My Work: Three New Photo Galleries
I've now completed a sort of trilogy...three new photo galleries of stills from my just completed In Search of the Sufis of Gujarat Photo Expedition™.
The first of the three galleries is of the pilgrims that flock daily in their hundreds to the shrine of Hazra Mira Datar, a renowned Sufi saint in Gujarat, hoping to get rid of evil spirits, other health issues and personal problems. A black & white audio slideshow can also be seen here.
I recommend reading the journal of my experience at the Mira Datar shrine can be read here for a fuller understanding of this 600 year-old phenomenon, which is not restricted to this particular Sufi saint.
The second gallery is of the Jains pilgrims who visit the temples of Palitana; one of the holiest sites for the Jain community. Climbing the 3800 steps to the top of the hill for the main temple is an incredibly arduous task, and the Jain nuns do it continuously for three days while observing a total (food and water) fast. An audio slideshow can also be seen here.
Th third gallery is of various portraits and scenes of Sufi communities encountered during the photo~expedition, which started and ended in Ahmedabad, Gujarat.
I hope readers of The Travel Photographer blog will enjoy them.
Planet Magazine: 2011 Global Travel Contest
 |
| Photo © Terri Gold-All Rights Reserved |
Terri Gold's distinctive infrared images can be seen on her website Terri Gold World Imagery.
I was also pleased to see that Claudia Wiens was recognized with her portrait of a Syrian woman in the contest's Portrait Category. Claudia is a terrific photojournalist based in Istanbul and Cairo, and an alum of the Foundry Photojournalism Workshop in Mexico City.
Anindya Chakraborty: Charak Puja
Another religious festival comes to The Travel Photographer from Anindya Chakraborty, a self taught photographer from Kolkata. A software engineer in "real" life, Anindya started photography in 2006. He's gravitating towards documentary photography, and on his moving the United States, did a series on Bodie Ghost Town, New Orleans and finally on broken American Dreams. Some of his work was published in Picsean Travel Magazine.
These can be seen on his SmugMug website.
However, I recommend you view Anindya's Charak Puja on The Invisible Photographer website where the photo essay is presented as a flash slideshow.
Charak puja is a traditional festival celebrated mainly in the rural areas of Bengal. It's unique amongst Bengali festivals because it's dedicated strictly to penance. The men and women, seeking to undertake the ritual, have to go through a month-long day fast, subsist only on fruits & perform daily worship.
On the day of the Charak, bamboo poles are erected with height ranging from 10 to 15 feet. The devotees step up to the stages, and are impaled with hooks which are attached to the poles. The devotees are then suspended from these poles.
Reminiscent of the Thaipusam festival, the Hindu devotees of the Charak festival seek penance and self-mortification to achieve salvation.
The Leica File: The Xiangqi Player
 |
| Photo © Tewfic El-Sawy- All Rights Reserved (Leica M9. 1/250 sec f2.8 Elmarit 28mm) |
When the weather is good during the weekends, Columbus Park in NYC's Chinatown sees large numbers of Chinese playing xiangqi, a two-player board game similar to Western chess, and one of the most popular board games in China. Xiangqi is believed to be descended from the Indian chess game of chaturanga, and may have been played as early as the third century BC.
The majority of Chinatown's inhabitants are from the Guangdong, Toisan and Fujian provinces in China, as well as from Hong Kong. They flock to Columbus Park for socializing, play cards and chess, listen to Chinese street opera and even air their caged birds.
This fellow was so intent on his game that I could've aimed my lens an inch from his face and he wouldn't have noticed. Click the picture to enlarge.
I must say that the recent Thumbs Up EP 1 purchase has greatly improved my comfort level in handling the M9...it now fits much better, and I have better control. The only inconvenience is that with the EP1 on, the M9 is more difficult to pull out of my jacket pocket...but it shouldn't be in there in the first place, should it?
Paul Patrick: Sabarimala Pilgrimage
 |
| Photo © Paul Patrick- All Rights Reserved |
What drew my attention to his website was that one of his galleries is of Sabarimala pilgrimage in Kerala which Paul describes as one of the largest religious festivals in the world, with an estimated 50-60 million pilgrims visiting it every year. It's virtually unknown outside of India.
The Sabarimala pilgrimage is frequently described by the Indian press as the 'Mecca of Hindus'. The temple is dedicated to Ayyappa, who is believed to be Shiva’s third son and brother of Murugan and Ganesha. It is situated on the mountain ranges of the Western Ghats. The temple is accessible only by foot, and the millions of pilgrims to Sabarimala vow to abstain from sex, and other acts, for 41 days before embarking on the pilgrimage. No women over the age of 60 is allowed on this pilgrimage, nor are girls younger than 6. The routes taken by the pilgrims can range in distance between 8 kilometers (the shortest one) and another of more than 60 km across three hills.
Note: I am in the process of scheduling a photo~expedition in March 2012 to document a couple of religious festivals in Kerala (but not Sabarimala though). Details will be forthcoming shortly.
Note: Sreekanth Sivaswamy, a photographer and reader of this blog emailed me a correction. It's women between certain ages (some websites claim it's between 6 and 60, while others it's between 10 and 50) who are not allowed to enter the temple, since the legend attributed to Ayyappa prohibits the entry of the women in the menstrual age group.
Holy Week Celebrations
 |
| Photo © Alvaro Barrientos-Courtesy Photoblog MSNBC |
 |
| Photo © Alvaro Barrientos- Courtesy Denver Post |
Holy Week in Christianity is the last week of Lent and the week before Easter, and provides remarkable opportunities to photographers to capture the various religious festivals, rituals and pageants that are scheduled, particularly in Catholic communities, during the period. The week includes the religious holidays of Palm Sunday, Maundy Thursday and Good Friday.
Some of the featured rituals in Spain, Portugal and Italy include the processions of hooded flagellants during Lent, as well as self-crucifixion in the Philippines considered as a form of devout worship.
In the top photograph, a masked flagellant is comforted by a colleague at the end of his penance during the 'Los Picaos' brotherhood Good Friday procession in San Vicente de la Sonsierra, northern Spain. The second photograph is of a penitent dragging his chains at the same venue. Both photographs are by Alvaro Barrientos, and I think they're some of the best amongst featured by the various photo blogs.
Flagellation is not restricted to Catholicism, but is also practiced in other religious traditions, notably in Shi'a Islam during the Day of Ashura. Much older religious tradtions, like the cult of Isis in Egypt and the Dionysian cult of Greece, practiced their own forms of flagellation.
Apart from a Holy Week spent in Guatemala in 2002 photographing the processions, I haven't photographed Catholic religious traditions (except for a short photo shoot at a small festival in Oaxaca), and I ought to plan for 2012.
Of course, it depends if the 21st of May doesn't turn out to be the end of the world as a demented US preacher predicts....then I (and the majority of us) would've missed the chance.
But something tells me we needn't worry.
Happy Easter to those who celebrate it!
Happy Easter to those who celebrate it!
Vivian Maier: Street And Yes, Travel Photographer
 |
| Photo © Vivian Maier-All Rights Reserved |
Much praise has been deservedly written and said about Vivian Maier, and of her photography. The story of this nanny and her photography has impressed the world, and now she (through the work of John Maloof) has a dedicated website.
Maier’s work was discovered in 2007 by John Maloof at a local thrift auction house on Chicago’s Northwest Side, while researching material for a book on that area of Chicago.
Whilst I knew that Maier's work was principally in street photography, I found out that she undertook trips on her own to Canada in 1951 and 1955, in 1957 to South America, in 1959 to Europe, the Middle East, and Asia, in 1960 to Florida, and in 1965 to the Caribbean Islands. Amazingly, she traveled to India (as evidenced by her portraits in Cochin) and to Yemen in 1959.
The website gathers many galleries of her work; street photographs of New York and Chicago, her travel portfolio (Yemen, India, Canada, France, etc).
I have always maintained that there are no amateur photographers....the work of Vivian Maier validates my point of view.
Chhandak Pradhan: The God Makers
 |
| Photo © Chhandak Pradhan-All Rights Reserved |
He was selected as a participant in the Angkor Photo Workshop 2009, and assisted Ed Kashi, Jonathan Torgovnik and Cheryl Newman during their workshops in Kolkata. He is also assisting Steve Raymer, former National Geographic magazine staff photographer and Associate Professor of journalism at Indiana University.
His various galleries are mostly editorial, and I feature his lovely The God Makers images documenting the clay artisans of Kumartuli in Kolkata who "bring gods to life" for the Durga puja. I also strongly recommend viewing, among others, his tender Living In Memory, a short photo essay on his grandparents.
It's a great pleasure that Chhandak will join and assist in my Kolkata's Cult of Durga Photo~Expedition & Workshop™.
"Thumbs Up" For Leica M9
I've been slowly getting used to my Leica M9 over the past weeks and I, coming from a line of Canon DSLRs, found its handling to be rather challenging. The Leica M9 is sleek and aesthetically beautiful but it didn't rest in my hand as well as I would've liked. I had to really grasp it well because there's nothing on its body that I could get a grip on...nothing like the hand contour in the Canons for instance.
Poking around the internet, I found that the Leica M9 hand grip was sold at B&H for $250, and poking around even further landed me on Steve Huff's Leica blog and his praise for the ThumbsUp which is a thumbs grip manufactured by Tim Isaac of match Technical Services.
There are a number of styles available for the ThumbsUp thumb grip, and I chose the Thumbs Up EP-1. Receiving a quick response to my inquiry from Tim that he was out of stock but who provided me a list of stockists, I chose PopFlash.Photo in California, and I ordered it on Monday for the grand total of $130.88.
It arrived today! Very well crafted, the Thumbs Up EP-1 fitted perfectly in the Leica's hotshoe, and enormously improved the camera's handling. I feel the M9 is more securely grasped in my hand with it. I look forward to leave it on the M9 as long as I use it.
I have no relationship with either match Technical Services or PopFlash.Photo. I like the EP-1 and its quality, and both companies delivered excellent service.
POV: Blurb's Photo Book Now 2011
Blurb has announced Photography Book Now 2011, an international juried competition which promises it'll celebrate the most creative, most innovative, and finest self-published photography books – and the people behind them, and recommends that all Blurb users submit their best photography books for a chance to win $25,000 and worldwide recognition.
I was tempted to enter my two photography books Bali: Island of Gods and Darshan, which I spent so much energy on, but frankly the submission fee of $35 per book put me off.
The sales of both books have surpassed my wildest (but modest in monetary terms) volume expectations...and I'm happy with the degree of recognition these still constantly receive.
The submission fee is probably to cover administrative costs etc, but Blurb is earning quite a nice margin and fees from its publishing business, and while I don't begrudge it its business model, I also think that charging a fee to enter such a competition is cheeky. Yes, I know...no free lunches anymore.
That's my take on it.
