The Leica File: The Flag Vendor

Photo © Tewfic El-Sawy-All Rights Reserved

"Don't Let Me Holler
Buy A Flag For 2 Dollar"

And so many people did. The vendor of United States flags did a brisk trade on May 5 on Church Street in Lower Manhattan...and why shouldn't he? The crowds had come to the area near Ground Zero because President Obama was nearby laying a wreath of flowers to honor the people killed in the September 2001 terrorist attacks, and marking the death of Osama Ben Laden.

Where I was, there were no displays of jingoism or bravado...only a sense of contentment. There were lots of locals and tourists milling about, pointing their cameras at all the flags, as well as television crews filming the crowds.  When the cavalcade of black SUVs with President Obama quickly whizzed through, the cheers were deafening....and when it quietened down, the vendors continued their spiel...Don't Let Me Holler, Buy A Flag For 2 Dollar.

(M9. 1/360 f1.4 Nokton 40mm iso 160)

Veejay Villafranca: Fate Above Faith

Photo © Veejay Viilafranca-All Rights Reserved

Vicente Jaime “Veejay” Villafranca is a photojournalist from the Philippines, who worked with Agence France Presse, Reuters, World Picture Network and the United Nations IRIN news wire. He was of the 7 Filipinos to be accepted in the first Asian documentary workshop of the Angkor photography festival in Siem Reap, Cambodia. His project on former gang members won the 2008 Ian Parry Scholarship. His work has been shown in London, Lithuania, Hong Kong, Phnom Pehn, France, Turkey and Manila. He is represented by Getty Global Assignments in London and Melon Rouge in Cambodia.

I particularly liked Veejay's powerful photo essay Fate Above Faith, which documents the faith of half a million people who seek to show their faith in the streets of downtown Manila by venerating the 400-year old relic of the Black Nazarene, which is a life-sized, dark-colored, wooden sculpture of Jesus Christ, and considered miraculous by many Filipino devotees. During this event, the devotees are overwhelmed by their faith and barefooted and dressed in the devotional colors of maroon and gold, surround the relic's carriage, pulling and tugging at the cordon ropes.

Equally impressive is Veejay's photo essay on the Badjao, the indigenous people of the seas who settled on the coasts of Sulu, Tawi-Tawi and Zamboanga in the southern part of the Philippines.

POV: Bin Laden And Let's Get Real

Here are some quotes off commentary that I thought were right on the mark:
 
Jon Stewart (The Daily Show): "The face of the Arab world in America's eyes for too long has been bin Laden, and now it is not. Now the face is only the young people in Egypt and Tunisia and all the Middle Eastern countries around the world where freedom rises up."

Robert Fisk (The Independent): "So now for a reality check. The world is not safer for Bin Laden's killing. It is safer because of the winds of freedom blowing through the Middle East. If the West treats the people of this region with justice rather than military firepower, then al-Qa'ida becomes even more irrelevant than it has been since the Arab revolutions."

Tom Friedman (The New York Times): " And that is that he lived long enough to see so many young Arabs repudiate his ideology. He lived long enough to see Arabs from Tunisia to Egypt to Yemen to Syria rise up peacefully to gain the dignity, justice and self-rule that Bin Laden claimed could be obtained only by murderous violence and a return to puritanical Islam.

Robert Fisk (The Independent): "But these past few months, millions of Arab Muslims rose up and were prepared for their own martyrdom – not for Islam but for freedom and liberty and democracy. Bin Laden didn't get rid of the tyrants. The people did. And they didn't want a caliph."

Luke Duggleby: The Art of Kathakali

Photo © Luke Duggleby-All Rights Reserved

Luke Duggleby is a British photographer with a degree in photography from the University of Gloucestershire. Currently based in Bangkok, he's shooting assignments and personal projects from India to Indonesia, China to Cambodia for various publications and NGOs.

His photography has been featured in The Sunday Times Magazine (UK) , The Independent on Sunday Review, Stern, Monocle Magazine, TIME, The Telegraph, GEO France, GEO Germany, The New York Times, The Times (UK), Geographical (UK), The Wall Street Journal Asia, and the USAID, amongst others.

Out of his many galleries, I chose two that I particularly admired; The Art of Kathakali, and The Last of the Bound Feet Women.

Kathakali is one of the oldest theater forms in the world, and originated in the area of southwestern India now known as the state of Kerala. It's the classical dance-drama of Kerala and is rooted in Hindu mythology and literally means "Story-Play". In my forthcoming 2012 photo-expedition to Kerala, I am planning an exhaustive photo shoot at a Kathakali school (as I did in 2009).

As for the Bound Feet Women, NPR featured an article on this practice and its history here, where it tells us that millions of Chinese women bound their feet to turn them into the prized "three-inch golden lotuses." Footbinding was first banned in 1912, but some continued binding their feet in secret. Some of the last survivors of this barbaric practice are still living in Liuyicun, a village in Southern China's Yunnan province.